Jan van IJken

Blog

  • Easter chick alive!

     One of my photos has been published widely on Facebook lately. This is great, but it was posted without permission, the right caption or any credits.

    I kindly request you to share this post:

    Layer hen hatchery: chick on a conveyor belt, ready for inspection. The chicks are sorted by hand for defects. After falling off the belt, this chick will continue its journey to another farm to become a laying hen. In the same hatchery, all male chicks are gassed to be used as fodder for animals in zoos, pet shops, etc.

    Photo from the photo-project ‘Precious Animals’

    Photo © Jan van IJken, the Netherlands

    Jan van IJken

  • Film poster

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

    Design: Sanne Dresmé, photo: Jan van IJken

  • Film Finished!

    The editing, color correction and audio-mix of Facing Animals has been finished!

    The first part of the edit was done by editor Rienk Leendertse and in the final part of the process I had fantastic help from Metje Postma, anthropological filmmaker. They are both living in Leiden, The Netherlands.

    The audio-mix was done by Huibert Boon in Amsterdam.

     

     

  • International distribution for Facing Animals

    Deckert Distribution GmbH, based in Germany will do the world sales of the film.

    About Deckert Distribution:

    Deckert Distribution is a world sales company for documentaries and stands for excellent, director-led, award-winning films.

    We distribute creative documentaries from around the globe for which we see a potential on the international market. The films in our catalogue are very divers in style and content, but they all have one thing in common: we are convinced of their high quality and their high relevance, and we want to introduce these outstanding documentaries to a wide international audience. So our main goal is to make the connection between a film and its viewers, via TV as well as within the festival circuit.

    www.deckert-distribution.com

  • Projection Semana Santa pictures in The Hague

    The photoseries Semana Santa in Sevilla was projected during the Flamenco La Haya Noche de Gala.
    15 October 2011 – Lucent Danstheater, The Hague, The Netherlands.

    Link Flamenco La Haya

     

     

     

     

     

     

     

     

     

     

     

     

     

    Great performance of Andrés Marín – La pasión según se mire.

     

     

  • 10 photos Precious Animals in exhibition Dier of Ding

    10 photos of the series Precious Animals are on show in the exhibition Dier of Ding
    Natuurmuseum Brabant, Tilburg until 29th april 2012
    www.dierofding.nl
    www.natuurmuseumbrabant.nl
    www.kasteelgroeneveld.nl

     

     

  • Facing Animals winner ‘Project of the Month’ on Reelisor.com

    Facing Animals has been chosen as ‘Project of the Month’ on Reelisor.com, an online cooperation platform for the professional European documentary world.

    Charlie Philips, jury member and Marketplace Director of Sheffield Doc/fest:

    We’re delighted to announce the winner of the first ever Project of The Month on reelisor. The winner is Jan Van Ijken with “Facing Animals” – you can see the project here

    It’s a fascinating project with a special pitch video. An investigation into how animals see the world, it’s understated and takes the unusual tactic of literally giving us an animal’s eye view – a bit like Nicolas Philibert’s Nenette did, and this doc looks like it’ll share the non-human intensity of that one, but in Facing Animals, the tables are turned. We’re not observing the non-human animals, we are them! We’re in the chicken coop, we’re in the farmyard, we’re looking at humanity.

    It’s not simply looking like a great project because of this device, it’s also the mundanity of the scenes that we’ll get – the row of indifferent men watching, to mirror the general indifference/attitude of functionality to anything not human. in the small amount of info Jan is able to give us in his reelisor project area, you get an excellent sense of the reason this doc needs to exist and of the (enjoyably ambiguous) stance of the filmmaker.

    So well done Jan! Jan was picked from a shortlist of 10 entries, whittled down from 51 new projects added on reelisor in August and half of September (so really it was 6 weeks this time, not a month). The standard was very high.

    http://www.reelisor.com/p/facing_animals